Everything about Joseph Stefano totally explained
Joseph Stefano (
5 May 1922 -
25 August 2006) was an
American screenwriter.
Originally a composer of
pop music in the
1940s, Stefano began writing movie scripts in the late
1950s, beginning with
Martin Ritt's
The Black Orchid (
1958). In
1960, Stefano was tapped by
Alfred Hitchcock to adapt
Robert Bloch's
pulp novel
Psycho for the screen. His work was recognized by the
Mystery Writers of America when he was given a 1961
Edgar Award, for Best Motion Picture Screenplay. Stefano was also offered the job of scripting Hitchcock's
The Birds (1963) and Marnie (
1964) but chose instead to produce and write for friend
Leslie Stevens'
science fiction television project
The Outer Limits. Stefano's television writing was always a cut above that of his contemporaries.
After leaving the series due to network interference and exhaustion, Stefano wrote and directed
The Ghost of Sierra de Cobre (1964; AKA
The Haunted), a difficult-to-find film utilizing many of the crew responsible for
The Outer Limits. The
thriller Eye of the Cat (
1969) and the
comedy Futz! (1969) (co-written by Rochelle Owens) were Stefano's last big-screen jobs for many years. Throughout the
1970s and
1980s, he wrote many
made-for-TV movies, such as
Home for the Holidays (
1972), and
Snowbeast (
1977).
In
1990, he revisited the characters from
Psycho with the TV movie script for the last sequel in what had become an increasingly disappointing series of films. (
1991) interestingly posits the origins of
Norman Bates' destructive mother-love, featuring
Olivia Hussey as Mrs. Bates. Stefano wrote and executive produced the
Al Pacino drama Two Bits (
1995; AKA
A Day to Remember), a personal project that fared poorly at the box-office and with critics, leaving Stefano less than enthusiastic about continuing to write for modern Hollywood.
Gus Van Sant's remake of
Psycho (
1998) followed Stefano's script.
Biography
Stefano was born in
Philadelphia, Pennsylvania. His father, a tailor, made silk flowers, a skill that later influenced the plot of
The Black Orchid.
As a teenager, Stefano was so keen to become an actor that he dropped out of high school two weeks before graduation and went to
New York City. In Manhattan he adopted the stage name Jerry Stevens.
Stefano, who once wrote songs for Las Vegas showman
Donn Arden, had a large collection of sheet music. He once spent five hours challenging pianist
Michael Feinstein on names of obscure
Tin Pan Alley songs.
Stefano died of a
heart attack at
Los Robles Hospital and Medical Center in
Thousand Oaks, California.
Further Information
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